I liked the way the director used handheld shots to get in and around scenes in a documentary style fashion. The choice moment I believe is the scene where the father, in his typically entitled, proud manner, almost demands to be with his wife again, to which she only laughs at his increasing rage. As the camera darts around, the children are stationary witnesses of the deconstruction of their parents.
The film's short, 77 minutes, which gives me hope that I can make a feature at that length some day. Christopher Nolan did it with Following, which is near enough the same duration, so by this logic I can get away with an hour 20.
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